{"title":"The Elements","description":"\u003cp\u003eFour disciplines, built at the same time, in the same place, by the same people. Each cap carries the code of one of them — the line you'd be handed if you turned up wanting to learn.\u003c\/p\u003e\u003cp\u003ePlay it first. Earn the mic. Go last. All city.\u003c\/p\u003e\u003cp\u003eWear the one you practice.\u003c\/p\u003e","products":[{"product_id":"selector","title":"Selector Hat | Play It First Embroidered DJ Cap | Sound System Culture | Old School Hip Hop Streetwear | Gift for DJs","description":"\u003cp dir=\"ltr\"\u003eBefore there was a DJ, there was a selector.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn Jamaican sound system culture the two jobs were separate. The deejay talked over the record. The selector chose it. And a sound system's reputation lived or died on what it could play that nobody else had — dubplates cut for one sound alone, records held back for the right night, entire clashes decided by a single tune nobody in the crowd had ever heard.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhen those sound systems came north to the Bronx in the seventies, hip hop folded both jobs into one person. But it kept the Jamaican word for the half that mattered.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePlay it first. That's the whole job. Anyone can play a record after it's already a hit.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe DJ was the star. The MC just held the microphone.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhen Kool Herc was running parties in the Bronx in 1973, the man on the mic wasn't there to rap. Coke La Rock called out names, kept the room moving, held the energy between breaks. Master of Ceremonies — literally the job title, and literally a support role. The turntables were the show.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt took about six years for that to invert completely, and the reversal was so total that most people now assume it was always that way.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBut the older idea never went anywhere. The mic doesn't get picked up, it gets handed over — by someone who decided you were ready, in front of a room that will let you know immediately if you weren't. Ciphers, battles, open mics, the whole apparatus is built on the premise that the right to speak is earned in public and can be lost the same way.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFor selectors, diggers, and anyone who's ever cleared a room by being three years early.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTHE DETAILS \u003cbr\u003e- 80% acrylic, 20% wool \u003cbr\u003e- Structured six-panel snapback, flat brim, high profile \u003cbr\u003e- 6 embroidered eyelets \u003cbr\u003e- Black cap, white embroidery \u003cbr\u003e- BX Originals mark embroidered on back panel \u003cbr\u003e- Element name embroidered on front left panel \u003cbr\u003e- Adjustable plastic snap closure, one size fits most. Head circumference: 21⅝″–23⅝″ (54.9 cm–60 cm) \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003eBX ORIGINALS — TRUE TO THE CULTURE \u003cbr\u003eHip-hop has four elements: DJing, MCing, Breaking, Graffiti. Each cap in this series carries one, set in that element's own lettering tradition. Not four versions of one graphic — four distinct hands held together by one system. \u003cbr\u003e\u003cbr\u003eTHE BX VAULT \u003cbr\u003eEvery BX Originals piece connects to the BX Vault — our library of long-form writing on hip-hop history and practice. Not marketing copy. Real research on the people, places, and decisions that built this culture. The culture on the cap. The context behind it. \u003cbr\u003e\u003cbr\u003eFROM THE BRONX \u003cbr\u003eBX Originals documents hip-hop's four elements from where they started. We're not a fashion brand borrowing an aesthetic. We're building an archive that happens to make things you can wear.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BX Originals","offers":[{"title":"Default Title","offer_id":54436577149238,"sku":"6A822FF1651E2_4792","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0955\/9602\/0022\/files\/910cc475-il_fullxfull.8391208926_52l4.jpg?v=1787363422"},{"product_id":"bboy-hat-embroidered-snapback-cap-breakdancing-gift-go-last-black-flat-brim-cap-bx-originals","title":"Bboy Hat | Embroidered Snapback Cap | Breakdancing Gift | Go Last, | Black Flat Brim Cap | BX Originals","description":"\u003cp\u003eThe strongest breaker closes the cypher. GO LAST is set in collegiate block — the crew jacket lettering breaking claimed in the seventies, built to read from across a room while you're upside down. Power moves mean nothing without footwork. Foundation first, executed at the highest level — that's what separates serious breakers from everyone else. This cap is for the ones who know when to step in. \u003cbr\u003e\u003cbr\u003eTHE DETAILS \u003cbr\u003e- 80% acrylic, 20% wool \u003cbr\u003e- Structured six-panel snapback, flat brim, high profile \u003cbr\u003e- 6 embroidered eyelets \u003cbr\u003e- Black cap, white embroidery \u003cbr\u003e- BX Originals mark embroidered on back panel \u003cbr\u003e- Element name embroidered on front left panel \u003cbr\u003e- Adjustable plastic snap closure, one size fits most. Head circumference: 21⅝″–23⅝″ (54.9 cm–60 cm) \u003cbr\u003e\u003cbr\u003eBX ORIGINALS — TRUE TO THE CULTURE \u003cbr\u003eHip-hop has four elements: DJing, MCing, Breaking, Graffiti. Each cap in this series carries one, set in that element's own lettering tradition. Not four versions of one graphic — four distinct hands held together by one system. \u003cbr\u003e\u003cbr\u003eTHE BX VAULT \u003cbr\u003eEvery BX Originals piece connects to the BX Vault — our library of long-form writing on hip-hop history and practice. Not marketing copy. Real research on the people, places, and decisions that built this culture. The culture on the cap. The context behind it. \u003cbr\u003e\u003cbr\u003eFROM THE BRONX \u003cbr\u003eBX Originals documents hip-hop's four elements from where they started. We're not a fashion brand borrowing an aesthetic. We're building an archive that happens to make things you can wear.\u003c\/p\u003e","brand":"BX Originals","offers":[{"title":"Default Title","offer_id":54436577345846,"sku":"6A821F85017CF_4792","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0955\/9602\/0022\/files\/4032e397-il_fullxfull.8438994773_6n7p.jpg?v=1787363422"},{"product_id":"graffiti-hat-embroidered-snapback-cap-all-city-handstyle-street-art-gift-for-him-black-flat-brim-bx-originals","title":"Graffiti Hat | Embroidered Snapback Cap | All City Handstyle | Street Art Gift for Him | Black Flat Brim | BX Originals","description":"\u003cp\u003eGoing all city means your name is up in every borough. ALL CITY is drawn in handstyle — the tag itself. Graffiti's own lettering, and the only element where the hand is native to the form. Writers claimed the subway system and turned it into a moving gallery. The trains got buffed; the culture spread worldwide. This cap is for the ones who understand that style is the whole argument. \u003cbr\u003e\u003cbr\u003eTHE DETAILS \u003cbr\u003e• 80% acrylic, 20% wool \u003cbr\u003e• Structured six-panel snapback, high panel flat brim \u003cbr\u003e• Black cap, white embroidery \u003cbr\u003e• BX Originals mark embroidered on back panel \u003cbr\u003e• Element name embroidered on front left panel \u003cbr\u003e• 6 embroidered eyelets Adjustable snap closure, one size fits most, head circumference: 21⅝″–23⅝″ (54.9 cm–60 cm) \u003cbr\u003e\u003cbr\u003eBX ORIGINALS — TRUE TO THE CULTURE \u003cbr\u003eHip-hop has four elements: DJing, MCing, Breaking, Graffiti. Each cap in this series carries one, set in that element's own lettering tradition. Not four versions of one graphic — four distinct hands held together by one system.\u003c\/p\u003e\n\u003cp\u003eTHE BX VAULT \u003cbr\u003eEvery BX Originals piece connects to the BX Vault — our library of long-form writing on hip-hop history and practice. Not marketing copy. Real research on the people, places, and decisions that built this culture. The culture on the cap. The context behind it. \u003cbr\u003e\u003cbr\u003eFROM THE BRONX \u003cbr\u003eBX Originals documents hip-hop's four elements from where they started. We're not a fashion brand borrowing an aesthetic. We're building an archive that happens to make things you can wear.\u003c\/p\u003e","brand":"BX Originals","offers":[{"title":"Default Title","offer_id":54436580426038,"sku":"6A822059E393C_4792","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0955\/9602\/0022\/files\/6fee03c6-il_fullxfull.8439029663_haq4.jpg?v=1787363422"},{"product_id":"snapback-hat-2","title":"Emcee Hat | Earn The Mic Embroidered Cap | MC Rapper Gift | Old School Hip Hop Streetwear | Gift for Lyricists and Freestylers","description":"\u003cp dir=\"ltr\"\u003eThe DJ was the star. The MC just held the microphone.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhen Kool Herc was running parties in the Bronx in 1973, the man on the mic wasn't there to rap. Coke La Rock called out names, kept the room moving, held the energy between breaks. Master of Ceremonies — literally the job title, and literally a support role. The turntables were the show.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt took about six years for that to invert completely, and the reversal was so total that most people now assume it was always that way.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBut the older idea never went anywhere. The mic doesn't get picked up, it gets handed over — by someone who decided you were ready, in front of a room that will let you know immediately if you weren't. Ciphers, battles, open mics, the whole apparatus is built on the premise that the right to speak is earned in public and can be lost the same way.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFor writers, freestylers, battle rappers, and anyone still doing the work before they get the room.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eEarn the mic. Still the only way it works. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTHE DETAILS \u003cbr\u003e- 80% acrylic, 20% wool \u003cbr\u003e- Structured six-panel snapback, flat brim, high profile \u003cbr\u003e- 6 embroidered eyelets \u003cbr\u003e- Black cap, white embroidery \u003cbr\u003e- BX Originals mark embroidered on back panel \u003cbr\u003e- Element name embroidered on front left panel \u003cbr\u003e- Adjustable plastic snap closure, one size fits most. Head circumference: 21⅝″–23⅝″ (54.9 cm–60 cm) \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003eBX ORIGINALS — TRUE TO THE CULTURE \u003cbr\u003eHip-hop has four elements: DJing, MCing, Breaking, Graffiti. Each cap in this series carries one, set in that element's own lettering tradition. Not four versions of one graphic — four distinct hands held together by one system. \u003cbr\u003e\u003cbr\u003eTHE BX VAULT \u003cbr\u003eEvery BX Originals piece connects to the BX Vault — our library of long-form writing on hip-hop history and practice. Not marketing copy. Real research on the people, places, and decisions that built this culture. The culture on the cap. The context behind it. \u003cbr\u003e\u003cbr\u003eFROM THE BRONX \u003cbr\u003eBX Originals documents hip-hop's four elements from where they started. We're not a fashion brand borrowing an aesthetic. We're building an archive that happens to make things you can wear.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BX Originals","offers":[{"title":"Default Title","offer_id":54436578197814,"sku":"6A822FD7D00EF_4792","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0955\/9602\/0022\/files\/03fa3ebe-il_fullxfull.8439077199_ctt8.jpg?v=1787363422"}],"url":"https:\/\/bxoriginals.com\/collections\/elements.oembed","provider":"BX Originals","version":"1.0","type":"link"}